I say surprise because the site boasted sending an email confirmation for the order and the price never came, and yesterday he was presented this courier annoyed, I had no money and I had to go begging for the neighborhood> _>; What kind of situations - Anyway, YAY, my volumes!
I ordered only The Book of the Future and the two volumes of The Book of Myth . The first because
Rock here is one of the main characters, and I love Rock, the second because it is considered the self-styled gekiga Tezuka and I bought it to honor the genre.
There is much to say, but for now I'll just outline the general because I'm not going to waste readers' time with the dick like you that much.
Assuming you know the basic plot of The Phoenix Tezuka without me dwell unnecessarily unnecessary explanations, The Future is the hypothetical end of the world, the human condition and how the three protagonists live this moment of history Rock, the tough warrior at the head of the underground city of Yamato, influenced in his choice by the Mother Computer Alleluia, Professor Saruta, a hermit who lives in a turret on the now deserted and devastated the earth's surface trying to discover the secret to the reproduction of living beings to repopulate the planet, and finally Masato, formerly referred to Rock with escaping from Yamato its Moop Tamami (an alien creature that can take many forms ... Tamami has the shape of a human girl) because she is haunted by Alleluia as alien.
Rock is obviously the most brilliant and intriguing character in the entire history as a subject devoted part of Hallelujah, but when the machine declares war on neighboring town of Lengud, Rock dissociates it and he runs away to the surface. Here Saruta lands to the tower, which also meets Masato, who now works as his assistant.
Again Rock is unable to sit still: plan to escape to space, and first tries to convince him to escape with Masato, then focuses on Tamami, who despite being an inferior being is always a girl, but is blocked by Masato.
Tamami is a little bone of contention here, some want it all: Masato, obviously because he loves her, who returned the Rock to make his companion on the space, and Saruta, who falls in love, yet is fascinated by his structure that he believes will be helpful to his research for the creation of new life.
When war broke out and all the underground cities are destroyed at the same time, there the Phoenix begins to make its accounts: Masato gives the gift of immortality so he can watch over humanity as a new species of
Rock God is to know, and in the last moments of life on the planet does something again unpredictable and gave up the tower, and wait until the end on the edges of the volcano eruption in the next, saying how nice it is to die with that beautiful landscape that surrounds him, his laughter, which slowly turn into a crying insane ... One of the most emotionally touching scenes ever.
Saruta also died, and before leaving the world of the living body scans Tamami, destroying the human form, but managed to get a report for future Masato research, but it is useless.
It 'really disturbing the choice of the Phoenix. Why choose Masato heck, someone who spends his free time in the mental powers of hallucinations provocategli Tamami, who tries to kill himself once received immortality because he hates to be alone and not ever seriously dedicated to the research left him by Saruta?
Masato is a character-minded little girl who just wants to be happy with his artificial little woman, and notes the progress of the new humanity and the evolution of life with detachment and boredom. ... Probably the Phoenix has won here the purely "human" of the boy and perhaps also predicted that his laziness was the quality best to help the evolution of humanity, leaving it to itself and then to reflect on their mistakes: we can only imagine the disastrous scenarios would come out if the "god" were Rock and Saruta, with their determination and quell'inquietante form of coercive selfishness that characterizes them ...
Myth instead focuses purely on religious or on a critique of Tezuka the question of "state religion", that is where religion is simply used to demonstrate the prestige of a government that decides to use them.
E 'a religion that is not religion as a form to approach the divine, but a mere instrument of political self: for this same religious symbols are deprived of their significance and considered "useless" if not harmful.
protagonists of this story are two completely different lives from the sculptors, the devout and the hermit Akanenomaru Gao.
Gao, forced by a tragedy in a horrific aspect has chosen the path of the robber, and during one of his forays Akanenomaru hurt in the arm, making it impossible to carve statues. Following Gao
will know that it will begin a monaco to Buddhism, but also explain the truth behind the lure of worldly things, knowledge of these sopprusi and suffering that Gao will push to become a sculptor himself, and make a famous artist for the expressiveness of his work, despite the bad character.
Akanenomaru Meanwhile, again thanks to a Monaco, managed to regain self-confidence, and learned to sculpt with his left hand, because of blackmail is forced to investigate the Phoenix, and was fascinated by this figure, which strengthens its inspiration.
The two meet during a tender for the construction of some decorative tiles for the temple known as Todaiji onigawara. Gao
create the best work, but Akanenomaru that Gao had forgiven him long before now eaten up with envy and honors he does not want to give up, denounced him as the villain who had injured the arm, then sentenced him to cut the sole arm remained to (Gao has an arm, an eye and an ugly noses eaten away by infection).
Akanenomaru then solidifies his relationship with authority, but one day a fire broke out in the Todaiji and Akanenomaru to defend his art loses his life. Meanwhile
Gao retired as a hermit in the mountains and continues to sculpt statues of Buddha with his mouth.
Akanenomaru A girl in love with the unpredictable holes, leads to the bones because Gao pray for them and expresses his wish to live next door.
The three then disappeared into the forest, swallowing the legend of the great sculptor monaco Gao. Here
lot irons in the fire, and intense narrative skill it takes to where Tezuka hand guiding the reader along the maturation of the characters whose parts are incredibly reversed: a cruel brigand becomes a monk "enlightened" while promising an honest artist is corrupted by the charms of the nobility and sentenced to be reborn as a worm.
Essentially, what characterizes La Fenice is this idea of \u200b\u200b"looping", installed in the idea that cosmic Tezuka is made of the "divine", is not classified as a true deity, but as the vital force that drives the universe.
His characters are busy to find a stable point, chasing the illusion of prestige or power, but in the end is purely contemplative attitude of the privileged not only those who accept the transience of things, but runs the risk of throwing away some of the individual to recognize his dignity as a simple and amazed spectator of the miracle of life.
Ok, see you in 19 for the release of number 11 Sidooh .
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