Harold And Kumar Guantanamo Party

Recent Reading: 11 Sidooh

Ok, I said that I would have dealt with this post on 19 but I had time to go buy Sidooh 11 just today, ok (not true)> _>? It was also particularly
HORRIBLE buy it, I left home and went back to 17.15 to 18.45 D: It is now impossible to go by car from Fiumicino Ostia ... We are in the twenty-first century, what are you waiting to invent the damn teleporter D ':?!

However, Ciancio bands and go to the point:


More history goes, the more I get the impression that the role of Gentaro both end up in homoerotic situations, or suggestive homoerotic. Really, Tsutomu Takahashi does end up as food to prostitutes just for a bit of a level playing field D:
Maybe it is the one where the action is concentrated more frequently ... After serious volumes of anonymity, also Shotaro is allowed to lose his temper for a while. And while
Gentaro discovers that behind the attack on the hated Ootsu there Rugi Hakufu Boys and arm themselves against the insurgents of the anarcho-bishoulicious Shinsaku, the hateful Mozu persists in taking more screentime than is necessary.


There are shown the twins still trendy to serve Rugi, Urara and Arara (I think it's "Harar", but vabbeh -). Unfortunately he ran into a
Toshizo Hijikata. E 'was great to meet you, Urara.
also show their eyes! They have cat eyes, ooo, 3;


Shotaro action!! No, not as you think (or think I'd like to think!), The two are simply FINALLY, like two squabbling brothers are supposed to make damned Q:
Unfortunately, the memorable and wonderful time of blood is interrupted by the familiar expression ' Mozu useless.
Probably I have said, but I love how Takahashi make the movements <3 Sono dei combattimenti semplici, ma molto efficaci, graficamente parlando!


makes its appearance even Ryoma Sakamoto, who here seems portrayed as a borghesotto.
Hehe, interesting.


back on our screens even more glittering Shinsaku! Look
appear from nowhere and take on an adorable plastic poses to the fangirls! (Among which we include also Gentaro, which surely FAPP the similarity there with the ever venerated Kyozo).
(... What are you looking at? 'SO'!)

However, the Bakufu Boys make another expedition to go and teach the anarcho-insurgency Shinsaku that do not mess with the Bakufu. The Bakufu obviously has no account for the saying "The enemy of my enemy is my friend." Good Boys
Bakufu, the Dae approves!
However, the men chosen for the mission are Gentaro, Shotaro, Hijikata, Okita and other extras. The leader of the Boys
Bakufu also asked to bring Shotaro Mozu.
Gentaro gives voice to my thoughts:

Unfortunately yes, we still have it among the balls = _ =


And here's a bit of fanservice for male readers. Which
as odious as well designed ... What will your role in the group? Oh, let me guess, triggering hormones of every male and possibly act as bait for the sexy bad> _> ? We hope that this time
Schiatti so we take away from the balls.

My Wife Has High Boobs

Recent Reading

Yesterday I arrived, surprisingly, the volumes of La Fenice I ordered online some time ago.
I say surprise because the site boasted sending an email confirmation for the order and the price never came, and yesterday he was presented this courier annoyed, I had no money and I had to go begging for the neighborhood> _>; What kind of situations - Anyway, YAY, my volumes!


I ordered only The Book of the Future and the two volumes of The Book of Myth . The first because
Rock here is one of the main characters, and I love Rock, the second because it is considered the self-styled gekiga Tezuka and I bought it to honor the genre.
There is much to say, but for now I'll just outline the general because I'm not going to waste readers' time with the dick like you that much.
Assuming you know the basic plot of The Phoenix Tezuka without me dwell unnecessarily unnecessary explanations, The Future is the hypothetical end of the world, the human condition and how the three protagonists live this moment of history Rock, the tough warrior at the head of the underground city of Yamato, influenced in his choice by the Mother Computer Alleluia, Professor Saruta, a hermit who lives in a turret on the now deserted and devastated the earth's surface trying to discover the secret to the reproduction of living beings to repopulate the planet, and finally Masato, formerly referred to Rock with escaping from Yamato its Moop Tamami (an alien creature that can take many forms ... Tamami has the shape of a human girl) because she is haunted by Alleluia as alien.
Rock is obviously the most brilliant and intriguing character in the entire history as a subject devoted part of Hallelujah, but when the machine declares war on neighboring town of Lengud, Rock dissociates it and he runs away to the surface. Here Saruta lands to the tower, which also meets Masato, who now works as his assistant.
Again Rock is unable to sit still: plan to escape to space, and first tries to convince him to escape with Masato, then focuses on Tamami, who despite being an inferior being is always a girl, but is blocked by Masato.
Tamami is a little bone of contention here, some want it all: Masato, obviously because he loves her, who returned the Rock to make his companion on the space, and Saruta, who falls in love, yet is fascinated by his structure that he believes will be helpful to his research for the creation of new life.
When war broke out and all the underground cities are destroyed at the same time, there the Phoenix begins to make its accounts: Masato gives the gift of immortality so he can watch over humanity as a new species of
Rock God is to know, and in the last moments of life on the planet does something again unpredictable and gave up the tower, and wait until the end on the edges of the volcano eruption in the next, saying how nice it is to die with that beautiful landscape that surrounds him, his laughter, which slowly turn into a crying insane ... One of the most emotionally touching scenes ever.
Saruta also died, and before leaving the world of the living body scans Tamami, destroying the human form, but managed to get a report for future Masato research, but it is useless.
It 'really disturbing the choice of the Phoenix. Why choose Masato heck, someone who spends his free time in the mental powers of hallucinations provocategli Tamami, who tries to kill himself once received immortality because he hates to be alone and not ever seriously dedicated to the research left him by Saruta?
Masato is a character-minded little girl who just wants to be happy with his artificial little woman, and notes the progress of the new humanity and the evolution of life with detachment and boredom. ... Probably the Phoenix has won here the purely "human" of the boy and perhaps also predicted that his laziness was the quality best to help the evolution of humanity, leaving it to itself and then to reflect on their mistakes: we can only imagine the disastrous scenarios would come out if the "god" were Rock and Saruta, with their determination and quell'inquietante form of coercive selfishness that characterizes them ...

Myth instead focuses purely on religious or on a critique of Tezuka the question of "state religion", that is where religion is simply used to demonstrate the prestige of a government that decides to use them.
E 'a religion that is not religion as a form to approach the divine, but a mere instrument of political self: for this same religious symbols are deprived of their significance and considered "useless" if not harmful.
protagonists of this story are two completely different lives from the sculptors, the devout and the hermit Akanenomaru Gao.
Gao, forced by a tragedy in a horrific aspect has chosen the path of the robber, and during one of his forays Akanenomaru hurt in the arm, making it impossible to carve statues. Following Gao
will know that it will begin a monaco to Buddhism, but also explain the truth behind the lure of worldly things, knowledge of these sopprusi and suffering that Gao will push to become a sculptor himself, and make a famous artist for the expressiveness of his work, despite the bad character.
Akanenomaru Meanwhile, again thanks to a Monaco, managed to regain self-confidence, and learned to sculpt with his left hand, because of blackmail is forced to investigate the Phoenix, and was fascinated by this figure, which strengthens its inspiration.
The two meet during a tender for the construction of some decorative tiles for the temple known as Todaiji onigawara. Gao
create the best work, but Akanenomaru that Gao had forgiven him long before now eaten up with envy and honors he does not want to give up, denounced him as the villain who had injured the arm, then sentenced him to cut the sole arm remained to (Gao has an arm, an eye and an ugly noses eaten away by infection).
Akanenomaru then solidifies his relationship with authority, but one day a fire broke out in the Todaiji and Akanenomaru to defend his art loses his life. Meanwhile
Gao retired as a hermit in the mountains and continues to sculpt statues of Buddha with his mouth.
Akanenomaru A girl in love with the unpredictable holes, leads to the bones because Gao pray for them and expresses his wish to live next door.
The three then disappeared into the forest, swallowing the legend of the great sculptor monaco Gao. Here
lot irons in the fire, and intense narrative skill it takes to where Tezuka hand guiding the reader along the maturation of the characters whose parts are incredibly reversed: a cruel brigand becomes a monk "enlightened" while promising an honest artist is corrupted by the charms of the nobility and sentenced to be reborn as a worm.

Essentially, what characterizes La Fenice is this idea of \u200b\u200b"looping", installed in the idea that cosmic Tezuka is made of the "divine", is not classified as a true deity, but as the vital force that drives the universe.
His characters are busy to find a stable point, chasing the illusion of prestige or power, but in the end is purely contemplative attitude of the privileged not only those who accept the transience of things, but runs the risk of throwing away some of the individual to recognize his dignity as a simple and amazed spectator of the miracle of life.

Ok, see you in 19 for the release of number 11 Sidooh .

Swot Ananysis Of Dunkin Donuts

The Greatest Robot In the World

HERR! I post this in the oven for a while, but I decided to devote myself to some stories and drawings left to languish in the lower part of my brain ... But tonight I'm here to tell you about Pluto , manga by Naoki Urasawa based on the episode "The Greatest Robot in the World" of Tetsuwan Atom (known in the West as Astroboy ) Tezuka-sama ... Or rather, I am here to offer you a comparison between the two, which more than interesting in a purely philological, it is interesting for observations chaotic purely modernist ...

But first things first.

The plot of the original story (not all will know), very briefly, is this: The Sultan Chocho Chocho Ababa III wants to become the most powerful man in the world, and to achieve this objective scientist orders his Abra to build the robot largest in the world, where "big" of course means "strong."
The task of this robot will destroy the Earth's most powerful robots, and then demonstrate the superiority of the Sultan over the heads of other nations. Pluto
obediently proceeds until one day runs into Uran, Atom's little sister, while on the trail of the latter to challenge him.
Uran, aware of the challenge of Pluto, she decides to face the giant robot and after comedians, Pluto decides to kidnap her and take her with him to attract Atom.
Atom arrives on time and, ignoring the protests of Pluto as a sister who sees all things be kind, promises to destroy it.
Atom asks Dr. Ochanomizu to kick so they can fight the enemy on equal terms, but the professor refuses not only the robots are not born to destroy, but to help mankind, but especially with violence do not get anything right heart is much stronger than one hundred muscles.
to arrive to the rescue of the Atom, however, there is Dr. Tenma, the original creator of the robot, which gives him the power necessary to defeat the fearsome enemy.
Ultimately, Atom and Pluto clash near a volcano from the evocative name "Mountain of Tears" in the eyes of the sultan Chocho Choco, Abra and Dr. Ochanomizu held hostage. The fight was interrupted
the possible eruption of the volcano: Atom is working to plug it with boulders, while Pluto wants to fight again.
Atom accuses Pluto will be too strong for him, but in life there is much more than the fight!
touched by the words of Atom, including Pluto decides to be helpful and rebels under the command of the sultan, unleashing his fury. Abra
Bora then introduces a further sophisticated combat robots with which to test Pluto.
The sultan makes Pluto to win, but succumbs to the robot, but made no promise not to tell Atom Uran not to forget; _;
Bora Atom rails against the order of Abra and our hero is clearly in distress.
Using the brain, however, Atom can enter the body of Bora and compromise circuits, leading to self-destruction. The sultan
scrap crying on Pluto, and Abra surprise thanks Atom: the scientist is actually a robot himself.
Being a servant of the sultan wanted to help him build Pluto, but after seeing that its use was focused solely on the destruction, he decided to build Bora to demonstrate the futility of a rush to upgrade. Abra
praises Atom: although small its sense of justice and honesty make it the largest robot in the world.
Compiled in the '70s, this episode is just a reminder to futility of war and the risks of an arms race, an invitation to the good sense in light of progress in the true sense of the word. The remake

Pluto is more modern and thus more complicated.
Apart from the obvious criticism of the war, represented here from the point of view of victims, there are intimate and existential analysis that are now part of the summary of the most intimate fiction: what differentiates the "normal life by artificial light?
Obviously there's a lot of irons in the fire, probably more than it is needed: people to people exchanges, transfers of microchips from one body to another, giant electronic brains in command of nations (a summons to La Fenice: The Book of the Future , perhaps?), seven "racist" against the rights of robots, and despite the messaggioo background is clear, some plot points remain confused ... For example, when transfer is explained in the body of the Abra human super-robot created by the collaboration Tenma / Abra, insert the microchip is shown Tenma Abra in the new body, the doctor believes that emotions serve to help the AI \u200b\u200bto define their own personality in the simulation of the "6 billion of personality" - Well, if Abra is a human where it exits out of that chip that would store his experience ..? And the trip to Japan booked Gesicht years earlier by his wife and then deleted and replaced with the virtual memory of a trip to Spain ..? And how can the Bora which marked such a strong impression on Wassily be the same as lying at the bottom of the volcano park of the "United States of Thrace" ..? And why They called this robot with the same name of the expedition which was to ensure the development of weapons of mass Persia? That does not add confusion to the confusion> _ < !!

Here "large" means "advanced", that is the closest thing to a human being: this means then a robot could kill a human ..? In this universe
robots are virtually indistinguishable from humans, and lead lives more and more like them, forming families or enjoying their lives on the inalienable rights and dignity.
The protagonist of the story is here Gesicht (Gerhardt in the original), the investigator made Zeronium, an indestructible alloy, that during the investigation to discover who is behind the killing of robots not only famous but also of personalities known in robotics, will deal with his emotions, his past and the secrets hidden within.

but introducing the characters properly, with their original counterparts as a reference (in brackets the names of the remake of Urasawa):

	Montblanc Montblanc is a powerful robot made in Switzerland and Swiss live in the forests where he worked on maintenance chores. In the remake is a robot who loves the peaceful nature, after the experience of war, Montblanc has dedicated himself passionately to the causes and ecological nature, making a real celebrity adored by all. It 's the first robot that is killed in both versions.
	North North # 2 # 2 is a robot butler, resident in Scotland and in the service of his master scientist. His body contains a variety of deadly weapons and when he draws the appearance of a gigantic insettone. In the remake is the butler of a blind musician who lost the inspiration; North # 2 will become music fan himself, and after the initial contrast will help the musician to come to terms with the past and ignored him find love music and inspiration by teaching.
	Atom Atom is the child robot is quite rightly considered the most sophisticated robot exists. lives in Japan with his family robot, consisting of mother, father and little sister Uran. In the original is the champion of the good that intends to help human beings and to act always in the right, in the remake probably the only one who is able to "understand life," amazed at the miracle of life. Both characters are characterized by a footprint very naive and childish to emphasize their fundamental innocence. " In the remake manages to kill Pluto Atom but the boy is brought to life by virtue of the expansion of the IA by Dr. Tenma.
	Brando Brando is a robot fighter of Turkish origin. Its original appearance has been replaced by robottoni clumsy remake of a robust constitution, whose original appearance is recalled into the frame combat (basically, the wrestlers fight in suits enhanced the appearance of giant robots). While the original short-lived, and only appears to challenge Pluto to avenge the death of Montblanc and not perish in seconds without damaging severely Pluto in the remake is also emphasized his desire to live in the more "human" as possible, so much so that he lives in the warmth of a large family with a wife and several children robot.
	Gerhardt (Gesicht) The robot made in Germany, known for being built nell'invincibile Zeronium league and be a world-renowned detective. In the original is quickly killed by Pluto in the remake is instead the protagonist and his story is more convoluted and troubled. While Gesicht investigates the death of the robot in fact, also investigates a series of strange images that obscure its thoughts, nightmares are real, and obviously related to something that happened years ago and improperly removed by the authorities. At last, we Gesicht die killed by Pluto, the microchip will be used by its AI Tenma to unlock the simulation of multiple personalities in Atom, as he had done with the robotic version of Abra years ago.
	Hercules (Heracles) Hercules is a robot "knight" greek, and its role is to protect his nation from threats such as Pluto. In the remake is a fighter, technically colleague and rival Brando. Heracles Pluto is the death of his point of honor, but unfortunately fails despite the use of his power armor.
	Epsilon Epsilon is a robot that Australian manufacturing is responsible for an orphanage. Its special power is that his support system depends on energy from sunlight: her are attacks on photon energy. Pluto kills him taking advantage of a rainy day and using the weak point against him to protect a child happened on the battlefield. In the remake Epsilon is a pacifist robot, which unlike the other robot did not participated in the 39th Persian conflict, but that was also present on the spot with the task of "cleaning up" a dumping ground for robot result of failed experiments. Epsilon is the latest robot to die in both versions.

What is surprising of these modern versions as the author strives to give fingerprints very marked characterized purely human robots: a love of nature, life, music, relationships ... Urasawa is not limited to criticism of war here, and even use the war as a pretext to make the robots come to terms with themselves, with their perception of "morality" and "what is truly important in life."

In a sense, the tragic conflict in Persia brings all the robot to live the change that only Pluto has been in the original series with the support of Atom.
Interesting then is interpreted as strengthening the concept of which we briefly mentioned above: in the original Pluto has the power to 1 million horses, and Atom is modified by Tenma to achieve them, in turn, in the remake but the enhancement does not apply to " force "but the AI, and the more specific case the" personality "of the robot through a simulation, are included in the IA versions of 6 billion persons (the total number of human inhabitants of the planet, in practice) in order to 'AI that is a final summary. The problem is that this type of stimulus produces simulations much for a simple AI to handle, throwing the robot in an existential loop and then into a "coma" ... Only the polarizing power of strong emotions such as hatred or pain, can untangle the skein.
Thus, negative emotions that are intended as an evolution.
The taboo extreme, the killing of a human being a robot is just a representation of the "perfect" human beings they seek artificial ... And this brings us back to the direction of the war, which comes just hate and fear ... Urasawa tries to tell us that perhaps the war, after all, is the secret of evolution? Another loop of a plot involving and exciting but not very polished in his "moral of the story, probably.

Why Is My Breast Veins Showing Green

"Sixth Children" Filler Characters and ... Evangelion in the XXI century

- I should have done this post in conjunction with the vision of Evangelion 2.0 to Romics a month ago, but since my middle name is "Procrastination" I will impose today.

The idea for this post I was (unintentionally of course) and suggested by UrielMatt CaskaLangley in discussions on this useless character, introduced in trendissimo film remake of the legendary series of 1995, the Illustrious Mari Makinami .

Mari is that the universe of fanfictions dedicated to Evangelion we used to call the sarcastic tag "Sixth Children " when the sumptuous definition MarySue / GaryStu was not yet known and probably not exist.
A Sixth Children was indeed a new character, strictly foreign or mixed blood, more often from the country of origin of the author, that was normally equipped with everything that these "imperfect" Children canons dreamed balls and charisma.

Year seems that in recent years has been in his room to read badfics, here's how it came out with the new Evangelion.
But let's concentrate on Mari.

Mari is the Children of the American base, and the film opens with the activation of its unity.
no apparent reason, attacks the basis of an Angel USA, forcing Mari attack with a unit still does. Mari
course wins, but Eve and the Angel in the self-destruct, while also destroying the base as a script. Mari
course was rescued as Misato locking themselves in a capsule at the time of Second Impact, and makes sarcastic comments on the stupidity of adults.
no clear reason, see you in Japan, landed on the building of the school of Shinji, Shinji ABOVE more precisely, with a parachute. Another comment
cool, then disappears into thin air. We find
then much later in the process of driving the Eva02 instead of Asuka as a pilot replacement.
Mari is "special" than others, and the authors show to prove his trump card, the "Beast Mode", a sort of "berserk gloss" which allows it to ignore human nature and its ability to use the VAT to 100%.
course in the battle against a Zeruel fighizzato Mari has the worst but its real mission begins here: In fact, despite being half dead, he manages to achieve when Shinji Emo her life and convince him not only to fight again, but also to make terms with its responsibilities.

We can see in this brief summary of the events involving some of the basic Mari Children of the Sixth, but also some curious "abnormality" that identify a character as Mari, despite the efforts of merchandising to make us believe otherwise, simply "filler".
First of all, here is the multi-ethnic character of Mari (presented as a hybrid US-Japan) to impose a degree of "originality assumed" the character, the abuse of that feeling of "exotic" we get from these types of characters (and for that some consists of a real fetish), which originally belongs to Asuka.
The internationality of the whole, is also found in American car design: if the Japanese are using the robottoni legendary armor of the samurai in their design, so too the Eva05, which has a halberd, and a four-legged the sharp helmet, just like a knight occidental ... I like the design of the 05: /
then the character is assertive, strong-willed and innocently naive in a sense that, rather than the standard of the classic mecha pilot (think of Getter Robot Ryoma , or by Koji Mazinger without avoid confrontations with the most modern Kamina of the Gurren-Lagann ), suggests the typical reaction of a fan who finds himself involved in the universe of Eve.
course would not have time to reflect on the tragedies of humanity, but would solve everything in a "oh that's cool, piloting a 60-meter robot to protect humanity ', YOOOOO, ASS TO DO THE ANGELS!, Claiming also to influence the other characters with this form mentis teaching "the finer things in life" (= robot drive a 60 meters high, kill enemies, to teach the 'love' to one of the main characters).
The alleged "sense of superiority" by Mari Bamboccianti respect to these children is obvious: you do not attend school with the other, lives an independent life and feels so secure psychologically afford to make comments about Shinji, but always deliberately ambiguous plot -oriented (what is the point that "You are an interesting guy" to Shinji? It 's more pathetic than usual! Tsk, you've already addocchiato the protagonist of the series, I, fox?). What
Mari interest Shinji no apparent reason and who cares about the emotional growth and the role of "hero" is typical of the Sixth Children, which in addition to the "charismatic personality, a priori, the task of maturing the intrinsic canon character that you grow fond of its author, reaching points of his heart that no 'else fails.

differentiation, individualism, empathy ... These are the characteristics of the Sixth Children arises automatically as the hub of a renewed and more compelling interpretation of Evangelion.
Here, however, Mari does not have enough precedence and consistency to be called a true Sixth Children, and I believe should be seen as a mere Filler Character or "filler character," the modern view of the "stretch the soup until we can" associated with episodes but still undone from the main series and characters created for this purpose, expedient which we have been too accustomed to the animated series "eternal" as Naruto .
Mari has in fact reports only with the protagonist, and his presence and existence is virtually ignored for a while all the other characters.
The fact that you attend the school of Shinji and is not never seen in attitudes "private" if not an occasional appearance to suggest his involvement as a new driver from the phone call at home by 2002, underlines the fact that the authors do not want the viewer is fond of his presence as a character of some dramatic significance.
Mari appeared in this episode, he did what he had to do and can now disappear from circulation.

So, summing up, Mari was needed or could be left as it was Asuka?
I know the answer.

"We'll leave aside the matter of crimes or responsibility on your part."
"But there is no need for you to create a new scenario."

_dslr Camera Old Flash Adapter_2

When culture harms morally

If you have a TV still works and the good habit of following a newscast, there surely will be missed the last:

"The presence of crucifixes in classrooms is" a violation of the right of parents to educate their children according to their convictions "and a violation of" freedom of religion of the pupils. " This was established by the European Court of Human Rights in Strasbourg upheld the action brought by a small Italian town.

You know that I am Catholic and believing (even if I did not realize you're idiots, eh), and that the crucifix "forbidden" is one of many stupid things you see in democratic countries full of free time has power to rip a straightforward "But go fuck!" and innocent of the safety-at-TV.

My view of religion, as I have explained elsewhere, is not based on a simple concept of divine existence (which is obvious), but basically anchored on cultural principles: to me an Italian who claims to be Shinto, Hindu or Buddhist is ridiculous, because it is lived, was born and raised in geographical areas where they have developed those religions, then those "visions of the world ", and therefore can not assume that those lifestyles do for him.
observe that Christianity itself has many faces, depending on national circumstances in which it has developed: the materialistic Calvinism, Protestantism, the pathetic, those poor Mormons, the exalted Lefebvre.
It occurs to indicate the religion as an anthropological fact, a clear manifestation of our cultural roots, not only Italian but also and mainly Mediterranean.
So, it's almost obvious to me that the crucifix is \u200b\u200b symbol of Italian history and culture and consequently the identity of the country , not because the Bible tells me so, but because our culture tells me so.

atheists or not, the truth is this: is not the Catholicism imposed for having "a certain way of thinking, in fact religion is nothing but the expression of a specific cultural identity.
For example, when you think that the rich because they are such dishonest, this is a legacy of the Christian religion, as well as what physical force and violence are not the best methods to obtain justice or personal prestige.
Most of our admirable artistic covers religious themes, and it's always exciting to see the amazing and emotional interpretation in these works, full or spirituality, or veiled sensuality or spudoranta bombast, are filled.
Tourists looking The Pieta by Michelangelo is left excited, but it certainly does not feel offended by the fact that he is looking at a religious work.
not expected to remove some of the paintings by Caravaggio St. Louis of the French because they are works of art and therefore belong to a museum, and certainly do not do petitions or appeals to the European Court of Human Rights, I repeat, the European Court of Human Rights , why an atheist to see the frescoes by Giotto must enter into a basilica and then be raped psychologically and morally.
course, compare the Majesty of Duccio in a miserable crucifix contemporary age is almost criminal, but the concept is the same.

If my house I have a picture depicting Padre Pio and friends were atheists or Muslims should remove it to see me at dinner not to offend? While
if an atheist considers art a crucified frog then everything is fine, and if anyone opposes then it is medieval obscurantist power.
But that too will not be the action is to remove a crucifix obscurantist, or maybe my confusion is less valuable because it provided with papal approval (ie "church" and "non-secular" and "anti-democratic")?
do not know, nobody has ever thought to refer to the antics of Kippenberger European Court of Human Rights , probably because not all have the leisure of the lady Lautsi.

Come on, come on! We are all one step away from becoming a cluster of gray made politically-correct, and nerves on edge for ideal foam in an abstract moral system.

Then I'll citarvi for emotional distress, puppets!
- I wonder if then European Court of Human Rights to force the Italian government to pay 5000 euro for moral damage for me: D